The foundation stone for this work was, among other things, the manifesto, "Solidarity is the tenderness of the species, cohabitation is their lived exploration" by Fahim Amir and Hartmut Böhme's "Nature and Subject". Six sentences form a new manifesto which is literally overgrown in a series of six posters, text and image form a symbiosis here. The structures that overgrow the text are derived from Peter S. Stevens' Shapes in Nature, which explains the algorithmic growth of plants. This algorithmic aesthetic runs through the entire work. The posters are supplemented by animations that provide a microscopic insight into the growth of the manifesto.
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